Born in Madrid, 1952. His musical training took place at the conservatories of Barcelona and Madrid, as well as in many master courses (Vilaseca-Salou, Granada, Santiago de Compostela), mainly in Piano
(Manuel Carra), Violín
(Hermes Kriales), Harpsichord
(Genoveva Gálvez), Harmony
(José Olmedo), Counterpoint and Fugue
(Francisco Calés), Orchestral conducting
(Enrique García Asensio and Jacques Bodmer) and Composition
(Antón García Abril, Román Alís, Rodolfo Halffter and Carmelo Bernaola). In 1979 he received a grant from the Spanish Ministry for Foreign Affairs, for studying at the Spanish Fine Arts Academy in Rome, where he attended the classes in Composition given by Franco Donatoni at the Santa Cecilia Academy.
En 1981 he won the First Prize in the Internacional Composition Contest First Centennial of the Orchestra of the Valencia Conservatory
with the work Meeting Point
. In 1986. In 1986 he won the First Prize of the Musical Composition Contest Queen Sofía, from the Ferrer Salat Foundation, with Ocnos (Orchestral Music on Poems by Luis Cernuda)
He has been commissioned by different official national and international institutions, as Spanish National Radio, Ministry for Culture, Spanish Society for Broadcasting (SER), Spanish National Orchestra, Madrid's Cercle for Fine Arts, Cuenca's Week of Religious Music, Community of Madrid's Autumn Festival, Alicante's Contemporary Music Festival, Rencontres Internationales de Musique Contemporaine de Metz (France)), Tenerife's Symphonic Orchestra, Canarias' Festival, Juan March Foundation, Community of Madrid's Department of Culture, Spanish Radio Television Symphonic Orchestra, Music at Compostela, Colgate University (Hamilton, New York), Expo' 92, Caja Madrid Foundation, Soria's Musical Autumn, Segovia's Chamber Music Weeks, Madrid's Symphonic Orchestra, Galicia's Symphonic Orchestra, Mexico's Ministry for Culture, San Sebastian Music Festival, Community of Madrid's Symphonic Orchestra
, as well as by many national and international soloists and chamber music groups.
His works have been played in many important festivals, such as Cuenca's Week of Religious Music, Lisbon's Contemporary Music Meetings, La Rochelle's International Music Festival, Cuenca's Chamber Opera Meetings, Prix Italia 1983, International Platform of Composers
(UNESCO, Paris, 1984), Alicante's Contemporary Music Festival, Strasbourg's Music Festival, Barcelona's International Music Festival, Vicenza's Music Festival
(Italy), Madrid's Autumn Festival, Madrid- Burdeos' Biennal, Metz's Rencontres Internatinales de Musique Contemporaine (France), Zagreb's Musical Biennal, Granada's International Musica and Dance Festival, Geneve's Spanish Music Festival, Rome's Italy-Spain Festival, La Habana's festival, Canarias' Festival, Oporto's Days of Contemporary Music, Seville's EXPO'92, Milan's Antologia di Musica Spagnola contemporanea, the cycle A series of 20th century Spanish music
at Almeida Theatre (London), Soria's Musical Autumn, Santander's Music festiva
l, and the Festival COMA of the Association of Madrid's Composers
, among others. In january 1992, his Violin Concerto
was played in the inaugural concert of Madrid, Cultural capital of Europe
Likewise, he has taken part in many juries of different national and international composition and performance contests (Madrid –SGAE, Queen Sofía- Oviedo, Granada, Alcoy, Valencia, Las Palmas de Gran Canaria, La Coruña, México –Rodolfo Halffter Prize-, among others).
From 1981 to 1985 he was teacher of Harmony, Counterpoint and Composition in the Conservatoy of Music at Cuenca, where he also was Secretary and, later, Director. From 1985 he was teacher of Harmony in the Royal Conservatory of Music at Madrid and, from 1992, of the Conservatory of Music Arturo Soria, also at Madrid. Between 1991 and 1993 he was chairman of harmony and Counterpoint in the High Music School Queen Sofía
, of the Isaac Albéniz Foundation. In september 1991 he led the course of Composition and Analysis of the International Contemporary Music festival at Alicante, and in october 2001, along with Cristóbal Halffter, the course devoted to contemporary opera in the Conservatory of Music at Zaragoza. From 1998 he is teacher of Analysis in the High Musical Studies School at Santiago de Compostela.
In 1986 he was designated Correspondent Member of the Royal Academy of Fine Arts Santa Isabel de Hungría (Sevilla), and in 1997, of that of Granada.
In 1989 and 1992 he was invited by different USA universities (Colgate University –Hamilton, N.Y.-, Oneanta University, Cornell University and Hunter College of N.Y.), to pronounce and introduce a series of conferences and concerts about contemporary spanish music, taking place in september 1992 the world premiere of his work Three Sonnets
, commissioned by the Department of Roman Languages of Colgate University. In 1996 he was invited by the Spanish Consulate in New York and the General Spanish Society of Authors and Publishers to give master classes in the Manhattan School at New York.
In 1995 he was commissioned by the Cercle of Fine Arts of Madrid, in cooperation with the Department od Education and Culture of Madrid's Community, to write the musical-scenic work The Strike on the Water
, performed in the re-opening of the Theatre Fernando de Rojas, in september 1996.
From 1993 to 1996 he was Technical Advisor for Music and Scenic Arts of the General Subdirection of Artistic Teachings of the Ministry for Education and Science, with the aim of participating in the ellaboration of the normative developpement of the reformation of the teachings of music, dance and drama in the frame of the new Organic Law of General Regulation of the Educative System. In october 2008 he came back to this same work, and in february 2001 was designated Artistic Director of The National Youth Orchestra of Spain
(JONDE), until nowadays. In february 2005 he was elected president od the Spanish Association of Youth Orchestras
In december 2007 he led the seminary Youth Orchestras and Social Task
, joining Piadeia Galiza Foundation and Spanish Association of Youth Orchestras, around the National System of Youth Orchestras of Venezuela, with the presence of its founder, Dr. José Antonio Abreu.
In november 1996 he was awarded with the National Prize of Music of the Ministry for Education and Culture. Since october 2001 until october 2008 he was member of the Music Council of the National Institute for Music and Scenic Arts (INAEM). In 2007 he was designated member of the Artistic Council of the National Auditory of Musica of Madrid.
In january 2000, his Piano Concerto
was performed for the first time in the 16th Canarias' Music Festival. In october of the same year his opera D.Q. (Don Quijote in Barcelona)
, with libretto by Justo Navarro, scenic direction by La Fura dels Baus and scenography by Enric Miralles, had its world premiere in Barcelona's Liceo Great Thatre. In may 2001, its DVD recording was awarded with the 16th Prize to the best DVD of an opera production by the magazine CD Compact. In november 2001, D.Q.
was awarded with the Prize Daniel Montorio of the Spanish General Society of Authosr and Publishers to the best score of a lyric work first peformed in Spain during the year 2000.
In november 2001, the Tokyo String Quartet performed, in the Chamber Hall of Madrid's National Auditory, the world premiere of his string quartet Clémisos y Sustalos
, commissioned by that chamber group. In may 2003 the sopranist version of Four Sonnets by Shakespeare
, commissioned by Madrid's Symphonic Orchestra, had its world premiere in Madrid.
In may 2003, Sevilla University and the Central Theatre devoted him their Concert à la carte, including the world premiere of the soprano version of Four Sonnets by Shakespeare
, and the definitive instrumentation of Ocnos
In may 2004 he finished the composition of the string quartet The seven last words of Jesus Christ in the Cross
, commissioned by Caja Madrid Foundation for the cycle Haydn at Cádiz, where it was performed by the Brodsky Quartet. In october 2004, the Sonata
for violin and piano, commissioned by the Spanish Embassy at Bulgary in commemoration of the Hispanity Day, was performed for the first time in the Bulgarian Hall, at Sofia.
In january 2006, Málaga's Filarmonic Orchestra devoted him its 12th Cycle of Contemporary Music, made up with nine symphonic and chamber concerts, in which 18 works by him were performed, including the premiere of Sleeping Notes
, for harp, and the Violin Concerto
, with Ara Malikian as soloist, along with the release of an ample biographical study written by José Luis Temes, as well as a monographic CD with five orchestral works.
In may 2006 he was part of the jury of the 2nd Iberoamerican Composition Prize Rodolfo Halffter
, which took place in Mexico D.F., along with Mario Lavista, Mario Davidovsky, Roberto Sierra and Tristan Murail.
In december 2006, the Community of Madrid's Orchestra and Choir, conducted by José Ramón Encinar, performed in Madrid the premiere of Three Carols
In april 2008, the Youth Orchestra Simón Bolívar
of Venezuela, conducted by Alfredo Rugeles, performed in the Teresa Carreño Theatre at Caracas the Phantasy on a Phantasy by Alonso Mudarra
, within the 1st Hispanic-Venezuelan Arts Festival. In the same month, the Centre for the Diffusion of Contemporary Music devoted him a semimonographic concert, in which the Plural Ensemble, conducted by Fabián Panisello, performed Variations on two themes by Scarlatti
, Tumulus of the Butrterfly
In may 2008, the Community of Madrid's Orchestra, conducted by José Ramón Encinar, performed the premiere of Tour de Manivelle (Music for five shorts movies by Segundo de Chomón)
, within the projection-concert that took place in the Zarzuela Theatre at Madrid.
In july 2008 the monographic CD José Luis Turina. A Portrait
opened the Collection of spanish and lationoamerican contemporary composers of the BBVA Foundation and the label Verso.
In august 2008, in the María Pita Square at La Coruña and before an audience of over 5.000 people, the brass and percussion section of the Galicia's Symphonic Orchestra conducted by Victor Pablo Pérez performed the premiere of Hercules and Cronos
, written in commemoration of the 800th anniversary of the granting of the title of City to La Coruña.
In april 2009 he is appointed to collaborate with Maestro José Antonio Abreu for the creation of Iberoamerican Youth Orchestra, which, conducted by Gustavo Dudamel, gave its first concert in Estoril in december 2009, during the 19th Summit of Iberoamerican Chiefs of State and Government.
In january 2010, the Madrid Community Choir gives the world premiere of Ritirata notturna
, written for its 25th anniversary.
In october 2012 he is object of a homage for his 60 anniversary, at the Royal Conservatory of Music of Madrid.
Madrid, december 2012